82. Il Gesù, including Triumph of the Name of Jesus ceiling fresco - Mannerist - c. Church c. 16th century CE; façade c. 1568-1584 CE; fresco and stucco figures c. 1676-1679 CE
Mckenna Form-Brick Function-Main church for the society of Jesus Content-Slight crescendo of forms Context-Located in rome Change- No aisles in the interior Interpretation- Gesu means Jesus Artistic intent- The painting on the ceiling, as well as the rest of the Church was made to show how important Jesus is. Audience response- After seeing the beauty of this Church, the neighboring church, Sant’Andrea, asked the artist to work for them too.
Nandini Form:marble and fresco Function: Interior is meant for grand ceremonies Content:-two stories separated by cornice; united by scrolls Context: Giacomo della Porta created the facade Tradition: Columns and pediment emphasize central doorway Interpretation: Jesuits are the defenders of Counter-Reformation ideals Artistic Intent: framing niches act as a unifying device Audience response: Cardinal Alessandro Farnese was the patron
Mckenna
ReplyDeleteForm-Brick
Function-Main church for the society of Jesus
Content-Slight crescendo of forms
Context-Located in rome
Change- No aisles in the interior
Interpretation- Gesu means Jesus
Artistic intent- The painting on the ceiling, as well as the rest of the Church was made to show how important Jesus is.
Audience response- After seeing the beauty of this Church, the neighboring church, Sant’Andrea, asked the artist to work for them too.
Nandini
ReplyDeleteForm:marble and fresco
Function: Interior is meant for grand ceremonies
Content:-two stories separated by cornice; united by scrolls
Context: Giacomo della Porta created the facade
Tradition: Columns and pediment emphasize central doorway
Interpretation: Jesuits are the defenders of Counter-Reformation ideals
Artistic Intent: framing niches act as a unifying device
Audience response: Cardinal Alessandro Farnese was the patron